Books by hannah kent

A brilliant literary debut, inspired by a true story: the final days of a young woman accused of murder in Iceland in 1829.

Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution.

Horrified at the prospect of housing a convicted murderer, the family at first avoids Agnes. Only T_ti, a priest Agnes has mysteriously chosen to be her spiritual guardian, seeks to understand her. But as Agnes's death looms, the farmer's wife and their daughters learn there is another side to the sensational story they've heard.

Riveting and rich with lyricism, BURIAL RITES evokes a dramatic existence in a distant time and place, and asks the question: How can one woman hope to endure when her life depends upon the stories told by others?

A brilliant literary debut, inspired by a true story: the final days of a young woman accused of murder in Iceland in 1829.
Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution.
Horrified at the prospect of housing a convicted murderer, the family at first avoids Agnes. Only Toti, a priest Agnes has mysteriously chosen to be her spiritual guardian, seeks to understand her. But as Agnes's death looms, the farmer's wife and their daughters learn there is another side to the sensational story they've heard.
Riveting and rich with lyricism, BURIAL RITES evokes a dramatic existence in a distant time and place, and asks the question, how can one woman hope to endure when her life depends upon the stories told by others?"

'This compelling, ripped-from-real-life tale reminds me of Margaret Atwood's Alias Grace' Karin Slaughter, best-selling author of Kisscut

From the author of Burial Rites, "a literary novel with the pace and tension of a thriller that] takes us on a frightening journey towards an unspeakable tragedy" (Paula Hawkins, bestselling author of The Girl on the Train)
Hedged in by gossip and joined by their desperation, three women in nineteenth-century Ireland are drawn together in the hope of rescuing a child from a superstitious community, determined to rid itself of the strange and unknowable. Bereft after the loss of her husband, Nora finds herself alone and caring for her young grandson Micheal--a boy whom she recalls as having been a happy and healthy infant but now, in the wake of both his mother's and grandfather's deaths, can neither speak nor walk. Mary, a servant girl from more rural parts, comes to the valley to help Nora just as the rumors are spreading: the talk of unexplained misfortunes and illnesses, and the theory that deformed Micheal is a changeling, a fairy child to blame for the bad luck the valley has endured since his arrival.
Determined to banish the evil in Micheal, Nora and Mary enlist the help of the elderly Nance, a recluse and wanderer once revered by her neighbors for her healing powers, but now condemned as a fraud and a threat by the new priest in town.
As the trio's situation grows more dire, their folkloric practices become increasingly daring--culminating, at last, in a stunning and irreversible act that will put all their lives in danger. Terrifying, thrilling, and wholly original, THE GOOD PEOPLE is a startling examination of absolute belief and superstition taken to their extremes, of the universal yearning to belong, and of love, both tender and harsh.

Dougie is staying overnight at Grandma's for the first time. While he's there, he plays with his favorite stuffed koala toy -- Kenny Koala. They have several adventures and have lots of fun.

A brilliant literary debut, inspired by a true story: the final days of a young woman accused of murder in Iceland in 1829.
Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution.
Horrified at the prospect of housing a convicted murderer, the family at first avoids Agnes. Only Toti, a priest Agnes has mysteriously chosen to be her spiritual guardian, seeks to understand her. But as Agnes's death looms, the farmer's wife and their daughters learn there is another side to the sensational story they've heard.
Riveting and rich with lyricism, BURIAL RITES evokes a dramatic existence in a distant time and place, and asks the question, how can one woman hope to endure when her life depends upon the stories told by others?"

From the bestselling author of the multi-award-winning Burial Rites.

"Lyrical and unsettling ... A literary novel with the pace and tension of a thriller, Hannah Kent takes us on a frightening journey towards an unspeakable tragedy. I am in awe of Kent's gifts as a storyteller." Paula Hawkins, author of The Girl on the Train

"a thoroughly engrossing entrée into the macabre nature of a vanished society, its virtues and its follies and its lethal impulses." Thomas Keneally, winner of the Booker Prize

"Hannah Kent's much-anticipated second novel is a thoroughly atmospheric and involving read" Books and Publishing

In the year 1825, in a remote valley lying between the mountains of south-west Ireland, three women are brought together by strange and troubling events.

Nóra Leahy has lost her daughter and her husband in the same year, and is now burdened with the care of her four-year-old grandson: a boy who suffers from a mysterious malady and can neither walk nor speak. Unable to care for the child alone, Nóra hires a servant girl, Mary, who soon hears whispers in the valley about the blasted creature causing grief to fall on the widow's house.

Alone, hedged in by rumour, Mary and her mistress seek out the only person who might be able to help Michaél. For although her neighbours are wary of her, it is said that Nance Roche has the knowledge. That she consorts with Them, the Good People. And that only she can return those whom they have taken ...

From Hannah Kent, the bestselling author of Burial Rites, comes The Good People, set in nineteenth-century Ireland and based on newspaper reports and a court case from the time.

This book is #39 in our 2022 Top 101. Dymocks Booklovers voted for it as one of their favourite reads and we hope you enjoy it too! Discover all the winning titles in the 2022 Top 101 list.

Prussia, 1836

Hanne Nussbaum is a child of nature - she would rather run wild in the forest than conform to the limitations of womanhood. In her village of Kay, Hanne is friendless and considered an oddity...until she meets Thea.

Ocean, 1838

The Nussbaums are Old Lutherans, bound by God's law and at odds with their King's order for reform. Forced to flee religious persecution the families of Kay board a crowded, disease-riddled ship bound for the new colony of South Australia. In the face of brutal hardship, the beauty of whale song enters Hanne's heart, along with the miracle of her love for Thea. Theirs is a bond that nothing can break.

The whale passed. The music faded.

South Australia, 1838

A new start in an old land. God, society and nature itself decree Hanne and Thea cannot be together. But within the impossible...is devotion.

This long-awaited novel demonstrates Hannah Kent's sublime ability with language that creates an immersive, transformative experience for the reader. Devotion is a book to savour.

Prussia, 1836

Hanne Nussbaum is a child of nature - she would rather run wild in the forest than conform to the limitations of womanhood. In her village of Kay, Hanne is friendless and considered an oddity...until she meets Thea.

Ocean, 1838

The Nussbaums are Old Lutherans, bound by God's law and at odds with their King's order for reform. Forced to flee religious persecution the families of Kay board a crowded, disease-riddled ship bound for the new colony of South Australia. In the face of brutal hardship, the beauty of whale song enters Hanne's heart, along with the miracle of her love for Thea. Theirs is a bond that nothing can break.

The whale passed. The music faded.

South Australia, 1838

A new start in an old land. God, society and nature itself decree Hanne and Thea cannot be together. But within the impossible...is devotion.

This long-awaited novel demonstrates Hannah Kent's sublime ability with language that creates an immersive, transformative experience for the reader. Devotion is a book to savour.

Praise for Devotion:
'Devotion is utterly original. A glorious, heartbreaking love story of infinite beauty.' - Heather Rose

'Hannah Kent's latest novel is stunning - full of magic and adventure. I fell in love with language again reading it. So beautiful and so raw. Devotion is impossibly good.' - Evie Wyld


'Such a glorious love story. And the poetry of the landscape had, for me, a Whitmanesque sensibility. A mighty impassioned cry to love and the land.' - Sarah Winman

'Devotion is rare and exquisite, both beautiful and muscular in its portrayal of love found and denied. It's a story of love as a radical act, and a celebration of place and persistence. As we've come to expect from Kent, this is masterful storytelling with pull-no-punches stakes. It's taken root in my heart.' - Kiran Millwood Hargrave

The powerful, moving and truly unique new novel from the best-selling author of Burial Rites and The Good People.

Prussia, 1836

Hanne Nussbaum is a child of nature - she would rather run wild in the forest than conform to the limitations of womanhood. In her village of Kay, Hanne is friendless and considered an oddity . . . until she meets Thea.

Ocean, 1838

The Nussbaums are Old Lutherans, bound by God's law and at odds with their King's order for reform. Forced to flee religious persecution the families of Kay board a crowded, disease-riddled ship bound for the new colony of South Australia. In the face of brutal hardship, the beauty of whale song enters Hanne's heart, along with the miracle of her love for Thea. Theirs is a bond that nothing can break.

The whale passed. The music faded.

In northern Iceland, 1829, Agnes Magnusdottir is condemned to death for her part in the brutal murder of two men.

Agnes is sent to wait on the farm of District Officer Jon Jonsson and his family, who are horrified and avoid Agnes. Only Toti, the young assistant reverend appointed as Agnes's spiritual guardian, is compelled to try to understand her. As the summer months fall away to winter, Agnes's story begins to emerge. And as the days to her execution draw closer, the question burns: did she or didn't she?

Based on a true story, Burial Rites is a deeply moving novel about freedom and the ways we will risk everything for love. In beautiful, cut-glass prose, Hannah Kent portrays Iceland's formidable landscape, and asks: how can one woman endure when her life depends upon the stories told by others?

The fires on the hills smouldered orange as the women left, pockets charged with ashes to guard them from the night. Watching them fade into the grey fall of snow, Nance thought she could hear Maggie's voice. A whisper in the dark.

"Some folk are born different, Nance. They are born on the outside of things, with a skin a little thinner, eyes a little keener to what goes unnoticed by most. Their hearts swallow more blood than ordinary hearts; the river runs differently for them."

Nóra Leahy has lost her daughter and her husband in the same year, and is now burdened with the care of her four-year-old grandson, Micheál. The boy cannot walk, or speak, and Nora, mistrustful of the tongues of gossips, has kept the child hidden from those who might see in his deformity evidence of otherworldly interference.

Unable to care for the child alone, Nóra hires a fourteen-year-old servant girl, Mary, who soon hears the whispers in the valley about the blasted creature causing grief to fall upon the widow's house.

Alone, hedged in by rumour, Mary and her mistress seek out the only person in the valley who might be able to help Micheál. For although her neighbours are wary of her, it is said that old Nance Roche has the knowledge. That she consorts with Them, the Good People. And that only she can return those whom they have taken ...

Prussia, 1836

Hanne Nussbaum is a child of nature - she would rather run wild in the forest than conform to the limitations of womanhood. In her village of Kay, Hanne is friendless and considered an oddity . . . until she meets Thea.

Ocean, 1838

The Nussbaums are Old Lutherans, bound by God's law and at odds with their King's order for reform. Forced to flee religious persecution the families of Kay board a crowded, disease-riddled ship bound for the new colony of South Australia. In the face of brutal hardship, the beauty of whale song enters Hanne's heart, along with the miracle of her love for Thea. Theirs is a bond that nothing can break.

The whale passed. The music faded.